Tuesday, 20 March 2012

A Cry For Help - A Poem

Talk minus action
Always equals nothing.
Save your words for Hell,
Where they might lose their sting.

Is Love so hard to feel,
Or is it just like Hate?
Are they both the same,
Drawn to us by Fate?

I think I'm in trouble,
Trying to work this out.
Spinning me, perplexed -
What's it all about?

Can I live without you
Beside me all the way?
Or will the colour you gave me
Turn a shade of grey?

I don't know what to do,
Don't know how to cope.
I'm riding a wave of confusion,
Lost, and without hope.

No way back from this,
I am a slave to myself.
Resigned to fading away...
Yes, save your words for Hell...

Copyright Cory Eadson 2012

LISTEN TO THIS


Megadeth. Created and formed by Dave Mustaine solely as a force to out-shred, out-speed, and out-do Metallica in every way. Did they succeed? I'm not the one to say. Both bands are great, although Megadeth never lost their metal edge. 

Indeed, in 1990, Megadeth dropped the epic 'Rust In Peace' album on us, an LP so fast and layered, it quickly cemented its' reputation as a modern classic. A year later, Metallica released 'The Black Album', also rightly seen as a legendary album. However, the key difference between the two is that Metallica moved away from their thrashy sound to give us more commercial, catchy tunes. Enter Sandman, Of Wolf and Man, and Sad But True are all brilliant songs, but not as adventurous or as technical as those on earlier releases. 'The Black Album' also has the song Nothing Else Matters - an overlong, boring ballad. Yes, I did just say that.

'Rust In Peace', on the other hand, is a complex, speeding, raging assault that utilises all of Megadeth's strengths and takes them to the next level. The standout song for me on 'Rust In Peace' is the immortal Tornado of Souls. The track, about breaking up with a lover, has all the raw power a thrash tune needs, but with a tight and focussed sound that quite simply kicks ass. But amid the frenzied riffage, screaming vocals of Mr. Mustaine, and the pounding drums, is the Marty Friedman guitar solo. The only way I can describe it is 'orgasmic'. It even knocked Mustaine for six when he first heard it.

So here it is, a live version of a classic track. If you don't like this song, you have to ask yourself, do you really like heavy metal?




Monday, 19 March 2012

A Coffin Couldn't Hold Me - A Poem

Struck down before my prime,
Dragged out from the shadows.
Bound in chains of silver
And hung at the gallows.

They said that went I died
Rivers ran red with blood,
And mighty forests burned -
Flames devouring the wood.

 Buried, six-feet under,
Inside a nameless tomb,
Waiting for salvation
To free me from this doom.

It came in virgin form,
A girl of sixteen years.
She opened up my grave
Unleashing one so feared.

The chains of silver break,
My fangs, they seize her neck.
I drink her gushing blood -
It runs down my bare chest.

Then I gaze up at the moon,
The only friend I have.
Always there to watch me,
To guide me on my path.

So I run through the night,
Naked, bloodstained, raging.
Searching, stalking, hunting
Those who tried to stop me.

The fools should have realised -
They should have come to see -
That there's not a coffin,
Out there that could hold me...

© Copyright Cory Eadson, 2012

Blood and Bone China: Chapter 4 - 'The Devil in the Potteries', and Chapter 5 - 'There's No Such Thing As Vampires'



Chapter 4 - 'The Devil in the Potteries'

Chapter 4 of this epic saga picks up right where the last episode left off, and sees our unlikely heroes entering a beautiful, yet rather sinister-looking, Gothic mansion. The scale of the episode is superb, and the set design very Hammer Horror. I was drooling with nostalgic glee at the gorgeous, wooden library! Director Chris Stone also gives us a nice slice of melodramatic choir music to ramp up the tension and the atmosphere.

The tension throughout the Chapter is gently undercut with moments of humour, mostly centered around the awkwardness of Miles' character. When he first meets the gentlemen, I was inclined to laugh, but also cringe at the potential danger he had put himself in. Moments like this work beautifully, as acting, set design, music, direction, production, and scripting all come together and work in unison. And speaking of the script, how about "Creatures that wear the skin of the DEAD!" for a line?

In this Chapter, too, we also get to meet Linus Hemlock properly. It's a wonderfully arch performance by David Lemberg, who chews up and spits out the scenes he's in with twisted glee.Lemberg is clearly having a ball here, and there is no doubt that he is the major villain. His baiting of Newlyn is brilliant and frightening, setting up a trap that mr Howell walks right into!

Rachel Shenton is fantastic, yet again. As well as showing us her inquisitive side, she also reveals her great comic timing, during the rather naughty sequence with Lady Victoria (the ever-beautiful Lara De-Leuw).

The cliffhanger to Chapter 4 is the best yet. You know what's going to happen, you've seen it a thousand times, and yet it's constructed so brilliantly, edited so tightly, that director Chris Stone squeezes out every ounce of atmosphere that he possibly can. 

Chapter 4 has everything. Gothic setting, insane Vampire girls, heaving busoms, lesbian undertones, a truly wicked villain, and great comic timing. Try watching it without a big grin on your face, it's pretty much impossible!

Chapter 5 - 'There's No Such Thing as Vampires'

Taking it's title from the previous installment's gut-wrenching cliffhanger, Chapter 5 ramps things up a notch. Shorter (about half the length) than part 4, the sole purpose of 5 is to progress the story as quickly as possible, with compromising on anything.

In quick sucession, we get a resolution to the cliffhanger (a bit of an easy way out, but there's a very good reason for that!), another bit of sexual tension between Victoria and Anna, Anna finding herself a marked woman, and Newlyn coming face to face with that which he does not believe in.

Lare De-Leuw steals this short Chapter, looking more beautiful and sumptuous with every scene she appears in, and her taunting of Anna and Newlyn is utterly wicked. This contrasts nicely with Newlyn's disbelieving reaction: Pathetically waving his stick at her. 

The cliffhanger is another 'how's he gonna get out of this one?', scary, tense, and full of Lady Victoria's heaving cleavage.


A short but sweet episode, breathlessly exciting and supremely sexy. Which also rather nicely sums up the whole series, actually....

Watch Chapter 4
Watch Chapter 5

More About 'Blood and Bone China'
Twitter: @BloodBoneChina

Sunday, 18 March 2012

Butterfly Girl - A Poem



Identical, they were.
Straw hair and butterfly eyes,
And little crimson love-hearts pressed tightly
Together, hinting at equal smiles.

I prefer symmetry.
A purple bruise on the left eye of one,
A similar lump to the right eye of the other.

The love-hearts become bloodstains,
As smiles give way to grimaces.
Blotted patches of ugly red.
Too identical.

A cut from left cheek to lip
Creates ones’ twisted half-smile,
A permanent, joyless smirk.
Then my metal edge returns,
To the right cheek of the other.
Cuts deep, drags down.

Symmetry.

But is it enough?

I lie them down, side by side,
Pressed together.
Left arm of one down,
Right arm of the other,
Attached by needle and thread.
The arms on the outside
(Right for Left Girl, and vice versa)
Stretched out adjacent at equal angles,
Nailed to the wood they (she) lie(s) upon.

Like bloody butterfly wings.

I smile at my creation,
Art inspired by nature.
My adorable, beautiful,
Symmetrical
Butterfly Girl.

Copyright Cory Eadson, 2012

Friday, 16 March 2012

Fan Conspiracy Theory Of The Week

As all you Whovians know, Christopher Eccleston asked Russel T Davies to consider him for the role of the Doctor. After filming, Chris, for whatever reasons, decided he no longer wanted to be a part of the show. He told the team he was leaving, and they had to find a new Doctor. David Tennant was asked, completely out of the blue, because Russel T Davies knew how good an actor he was from working with him on Casanova. And the rest is history!

However, some fans seem to exist in a parallel dimension in which Eccleston was cast NOT because of his tremendous acting ability, but because RTD's first choice, David Tennant, wasn't famous enough yet. So Eccleston did one year as a 'favour' for Russel, while RTD ensured Tennant, in the meantime, rose to enough fame to be cast as the next Doctor.

Oh, and even though Hugh Grant WAS offered the part of the Ninth Doctor, according to this fan, that was 'just a joke'. 

Here are the comments of said fan, who shall remain nameless, as he himself wrote them:


Thay havent asked him or chris ecclstone or eny of the past docs. chris only did the dw job as the bbc wouldnt let david tennent as at the time he was unown thay gave rtd an oltamatum he gets a nown actor or now dw so he askd a faver an chris said yep so was always going to b 1yr

  Then once david tennent was sucksesful thay could make him the doc. chris rearly nev wanted to b dw just did it to help a m8 but if it wassent for him we wouldnt have are faveret show back on tv so to me hes the most important doc of all co he brourt it back thanks chris e. x

 If u go check ur find im rite david tennent and russle t davis and chris ecclstone have all said this in intervuews and its in rtd book to its fact and the hu grant thing i saw that live m8 it was bbc news at 6pm and rtd said it to get publisaty for the show and on that same show he said im only joking but news is new and thay latch on to the words that sell papers made me laf when he said it tho x

Tho u do no what this all means tho? That im a complet nurdy geek and i no way to mutch about dw lol how f-ing sad hahahaha im like massive fan of dw i books and and origanal scrips and props from the show that cost me tuns lol im that geeky i no everythng about it omg geek hahaha

I agree but the bbc would not of aloud rtd make it unles he got a name . not an unown thats a fact its the bbc u blame not me lol just telling u the reason why that was all dont shoot the messinger x

mm wel ive got rtd outbiografie and he say in there about it oh and iv bin bying dw mag for 20yrs trust me thay never tel the trueth unles it sutes them lol hahahaha enyway lol x

 There is ritten documents from rtd to the head of drama at bbc saying he wanted tennant but thay said no until casanover was a succes and ecclestone was never ment to do enymore than 1yr rtd has said in an intervuew iv seen him say it on tv.

 U dont no the bbc very wel do u paul magans tv film in 1996 got 9.6 somthn milione vuew fig more than eny of the new dw put to geather fact it was bigst show that year tel me why didnt it get a show the bbc said and i quote becos it didnt do wel in americ lol it got more than the piorlt of xfiles lol .

 Look its not me saying soooo im just saying what iv hurd from rtd and c e and d t on tv intervuews thats all an the bbc hated dw sory but thay did orful i no but true

 Whats the problem?

After being asked what his problem is:
 And me to im sory i just happento no why and thought u two would of wanted to no why that was all and iv not bin rude to him or u for that matter nxt time i just wont txt u or him sory if iv inconveneanced u by x

And there you have it! 

Thursday, 15 March 2012

Can You See Me Now? - A Poem

 
Life churns noisily around me
Like an unstoppable Vortex -
And I am trapped in the centre,
Ignored, Unwanted, Invisible.

Laughter springs joyously
From the mouths of my tormentors,
As they walk right over me
Like I'm a long-forgotten grave.

Shaking, simmering, seething
I can do nothing but wait
'til my mind blows and shatters,
And my eyes blaze Hellish red.

Give me a gun, give me a knife,
It's time for me to end your life.

I step out of the heart
And into the hurricane,
Disturbing the flow
That you have created.

Dead eyes gaze back at me -
A mass of unfeeling zombies
Trying to make some sort of sense
Of what I'm about to do.

I was never so bad,
Would never hurt anyone...
But you pushed me,
Shoved me over the edge.

I have a gun,
I have a knife.
It's time for me
To end your life.

Hell burns through my veins, and how!
Listen up people, can you see me now?


© Copyright Cory Eadson, 2012