The Doctors: The First Doctor (William Hartnell)

William Hartnell. Doctor Number One - The original, you might say! The First Doctor didn't crash, waltz, or explode onto our screens like his successors did. This Doctor wandered in mysteriously from the fog, on a dark November night. A strange old man wearing a scarf and an enigma.

 

 

 

 

Initially, and famously, rather unpleasant, Hartnell's incarnation of the Doctor (who wouldn't be revealed as a Time Lord for another seven years) was only a reluctant hero. Perhaps the Doctor and his granddaughter Susan's exile from their home planet was what made the old man so untrusting of humans, or maybe he felt that he was superior to them. Driven by his own selfish desires and whims, it took the two school teachers he kidnapped to break through the tough, cold exterior to the warmth and charm within him.  It is Ian and Barbara who are responsible for giving us the Doctor we know and love today.

 

 

 

The First Doctor is often described as a 'grumpy old man'. While this is the case to an extent, even at the very beginning of the series, there was far more to him than that. William Hartnell gave the Doctor depth, magic, and mystery. He is both irascible and hypocritical, even dangerous, and as he began to warm towards his human friends, his mischievous, whimsical side began to shine through. In fact, every single aspect of the Doctor's future lives can be traced back to the First Doctor - from his romantic nature (see his love for Cameca in 'The Aztecs'), to his desire for justice ('The Dalek Invasion of Earth'), and his delight as he explores the wonders of the Universe.

 

Clutching his lapels and harrumphing at his foes, the First Doctor, portrayed for three years by William Hartnell, was a citizen of the Universe, and a gentleman of the stars.

 

 

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The Stubborn Old Man

 

The mountains towered upwards into the sky, like natural skyscrapers. The sun hung in the air above them, casting a comforting glow across the horizon.

"Tired Doctor?" laughed Barbara, as Ian helped her climb onto the next set of rocks.

 "Nonsense Barbara!" the elderly man snapped, wiping his forehead as he attempted to clamber further up the mountain, "I never get tired! No time for it!" He slapped Ian's hand away, violently refusing help.

 "Nothing to be ashamed of Doctor!" Ian's voice was slightly patronising, as he smiled sideways at Barbara, "Men of your age tire easily. It's natural!"

 "Rubbish Chatterton! Fit as a fiddle, that's me!"

 The Doctor was still trying to hoist himself up, breathing heavily and unsteadily.

 "Ok then. Me and Barbara will get walking, and you can catch us up!" Ian replied, as the lady tried her best to stifle her laughter. Then the two school-teachers set off, strolling further up the winding path of the mountain, leaving their stubborn friend to struggle.

Glaring furiously up at the sky, face drenched with perspiration, the Doctor released a deep sigh.

"Chesterfield, wait! I, I'm...stuck..."

 

Cory John Eadson, 2013

Raymond Cusick, 1928 - 2013

Raymond Cusick could, in many ways, be credited with the immortality of Doctor Who as much as Verity Lambert, William Hartnell, the concept of regeneration, or the overall story of the show.

An early Dalek design by Cusick

In 1963, set-designer Cusick received an incredible script by writer Terry Nation, featuring a race of creatures driven by pure hatred. The script featured only the most basic of descriptions for these monsters (eyes on stalks, round base, arms with claws), and Raymond Cusick went away and came up with one of the most unique and exciting designs in the whole of science fiction history. The Daleks were born.

Their debut story started in 1963 and ran for seven weeks, reeling in the viewers and terrifying a whole nation. After the Daleks' first adventure was broadcast, audiences were already demanding a rematch with the Doctor. People were no longer just passively watching the series, they were actively getting involved, campaigning and making requests to the BBC, such was the popularity of these metal meanies. Thanks to the Daleks, Doctor Who was now an institution!

An image from 'The Sun' (2004)

Fifty years on, the main design of the Daleks is still instantly recognisable worldwide. Back in 2004, when Doctor Who was on the way to making a big comeback, and the whole 'will the Daleks be making an appearance or not?' saga was settled, 'The Sun' newspaper printed a picture of the new-look Daleks. I was flabbergasted, in the best possible way. I couldn't believe how close the BBC had stuck to the original Dalek design. I was expecting some bland overhaul, but no! The eyestalk, balls and sink plunger were all present and correct. It was a thrilling moment, and a testament to Cusick's genius.

Of course, the Daleks were one thing, but Cusick did a lot more for early Doctor Who. He played a large part in designing additional rooms in the TARDIS for 'The Edge of Destruction', and created excellent sets for the underrated 'The Keys of Marinus' and historical romp 'The Romans'. Not content with merely bringing the words on a page to life, Cusick used his imagination to fill in the gaps left by some writers (Terry Nation famously used to describe rooms and corridors as 'white and featureless', leaving the designers to do as they pleased!) to create exciting worlds, landscapes and buildings. A designer in the truest sense of the word.

 

 

Although Cusick didn't get the full credit he deserved for the creation of the Daleks (he was paid a small fee for his work, whereas Terry Nation had all the copyright and royalties for coming up with the idea of them for his script), he has created a legacy that will never fade away.

Raymond Cusick passed away in his sleep on the 21^st of February, 2013, but he lived long enough to see his Daleks rise again, made from the same blue-print as his original masterpiece 50 years ago.

Rest in peace, Raymond Cusick, 1928-2013. Without you, we wouldn't have Doctor Who now as we know it, if at all! As Mark Gatiss wrote on Twitter, “Daleks forever!”